One thing you may not remember about me is that I have a very, very active imagination. My daydreams are often ridiculously vivid, life-threatening narratives involving family and friends, and yes, tragic death. Chris just shakes his head and asks me to “share” a little less often. And then he asks what the life insurance limits are.
And one thing you may remember about me is my confession to having read all of the Twilight novels – twice – and that my real guilty pleasure is TRUE BLOOD, both the novels and the HBO series. Well, with both authors holding out on their next books, and the second Twilight movie still shooting somewhere in Canada, I have to get my supernatural fix somewhere…
So, Chris and I opted to download the Vampire Diaries series on the CW. Yes, the CW. Yes, I’m 46. No, I’m not in therapy. Just move on, please. This is a ridiculous rip-off of the Twilight series, without the sex angst. Soooo without the sex angst. No sex angst here at all. Trust me. You still get all of the famed Edward and Bella “love me, love me not; go away, come here; love interest-to-incite-jealousy” drama that just makes you want to scream and hit mute, but these teens act as though they are in their late twenties.
There are no adults in the town, except for a few “legal guardians” who may be in their early thirties; all of the high school fundraisers are car washes where the kids are wearing pretty much nothing and have bodies so sculpted it puts Olympic gymnasts to shame; every high school hang-out scene occurs at a bar, where drinks are served to every kid over 12; and every individual in this school is so skilled at sex, they must have taken classes with a Kama Sutra instructor. Yes, I know this because I’ve watched every episode — swearing through clenched teeth and rolling eyes that I won’t — and can testify in court to its idiocy. This is one TV show that really makes me glad I don’t have kids. No way could I, as a parent, compete with that. But let’s get to the title of the post: Kill the Happy Vampire!
The writers made a marvelous decision to interrupt the weekly display of angst, frustration, family tragedies (apparently a high number of this town’s parents are either dead, simply missing, or running away with another adult leaving someone behind… it’s actually written into the script), drug and alcohol-induced hangovers and/or depression (we actually went back and reviewed the downloads… none of the main characters smile… ever), lovesick fighting, best friend dumping and locker room brawling to introduce a lovely, funny, beautiful, 350 year-old vampire with a smile that lit up every scene! She was fabulously refreshing, brought out the smiles and best in everyone, and actually made you breathe a sigh of relief at the change of pace and behavior of the characters. AND THEN THEY KILLED HER ALL IN THE SAME EPISOSDE! What? Are you kidding me? The one bright spot in the series snuffed out in 48 minutes. We started laughing when we realized that it didn’t matter who this character was, what she looked like, whether she was human or vampire, but that we had latched onto her like magnets simply because she smiled and laughed! Not so much any more. Dead. Gone. Back to depression and angst. How long can this series really run? As long as suckers like me continue to watch it and post about it, probably. I’m just perpetuating the drama. Maybe it’s time for me to put some of my own tragic, life-threatening narratives into script form and see which network bites… or just rip off someone else’s plot lines. That seems to be a sure thing…
Oh, and about those Twilight novels. Once you discover that Stephanie Meyer, the author of the Twilight novels, is a Mormon woman, working out of her home, all of the sex angst and abstention, stoic resovle to endure and sacrifice, and the protagaonist/newly-turned vampire’s power to protect her loved ones through the power of her love becomes crystal clear. Read them again with that in mind. Completely different story.
Filed under: Humorous, Personal Musings, TV/Movie Review and Recommendation | Tagged: twilight movies, twilight novels, True Blood, Vampire Diaries | Leave a Comment »

Take Geronimo, our 4 year-old Sun Conure. Frighteningly intelligent, he not only mimics phrases such as “Hi Sweetie,” and “I’m a good boy,” and human laughter (all my conversations while working from home rubbed off on him), but also inserts the mimicry appropriately into conversation. If he’s screaming noisily (is there any other way to scream?), we tell him he’s getting a time out, and we move to cover the cage with his sleeping cover. Quickly, he responds with “I’m a good boy, I’m a good boy,” to which we reply “no, you’re not,” to which he replies, “I’m a good boy, I’m a good boy.” Then, when he’s been quiet in his “time out phase” for about 15 minutes or so, he’ll starting inserting himself into whatever conversations with subtle laughter in the form of “heh, heh, heh,” just to let us know he’s in there and ready to behave.
The dogs? Chloe and Samson are just as adept in their own way, though for them the barking version communication is saved for the most exciting moments of their life — the games, the balls, the visitors, the play-fights. The gutteral, in-throat communication is a completely different ball game, but equally effective. Chloe picks up her toys and growls and barks “around them” to show her excitement at your arrival home, without ever opening her mouth. It’s hysterically funny and like someone trying to talk through a gag. Samson? His in-throat communications are all about different levels of whining: the long, drawn out, rolling whine is his version of a human stretch; the wheezing whistle is all about his desire to get your attention so you’ll throw his ball; his “silent bark” — where he simply claps his jaws together without sound a few times — is the preamble to joyful exhuberance.
More visual and possibly more easily interpreted is the physical involvement of their entire bodies — the Dachshund Wiggle — in communicating complete happiness of the moment. The lie on the floor, head on paws, eyes raised and following your movements “pout” is ridiculously apparent, and occurs with regularity, whenever a suitcase comes out of the closet. Chloe is notorious for “unpacking” a packed suitcase by stealing your socks and underwear while you are not looking.
You know you need some work/life balance when you realize that yesterday was your 5-year anniversary and you missed it. And your other half missed it. Maybe that makes it okay? Maybe that’s why gay male relationships work, because if you both commit a relationship faux paus that blantantly reinforces a male stereotype in general, it cancels itself out? Let’s hope so! Score one for being a guy and getting away with it!
Dave Barnes – “Me and You and the World” and “You, the Night & Candlelight” are both sweet. Love his voice and the mood he sets across both. “Until You,” “On a Night Like This,” and “Home” are a must listen. Just be patient and let him do what he does… lull you to peace…
Graham Colton – His “Here Right Now” CD is refreshing — a nice mix of great melodies, clear vocals and guitar. My favorites here are “Best Days” and “Let It Go.” Introspective but not meloncholy.
Jon McLaughlin — “OK Now” was my first introduction, folllowed by “Indiana.” I can’t say enough about them. Very talented man. And “Why I’m Talking to You” is simply the sexiest song I’ve heard in a very long time. The groove, the lyrics, everything about it makes you smile and want to get it on. Great tune. His newest single “Proud Father” takes him in a new direction. Love that.
Marc Broussard – I know I’m so late to the party with this guy, but that’s the joy of discovery, right? “Man for Life” is just plain fun, “Going Home” sweet and memorable, and duets with both LeeAnne Rimes and Sara Bareilles deliver, as well. His latest, “Must be the Water” is all in the name of New Orleans, and is a great mix of blues and dixieland.
Matthew West – My newest find, and favorite for the time being. “The Day Before You” from “The Writer’s Room” is unashamedly romantic and soulful. I can listen to it repeatedly and not tire of it. “More” from his CD titled “Happy” is equally romantic, but much more playful in delivery. He’s one of those artists that you are happy for. You truly want him to succeed.
Ronan Keating — Another recent discovery. He covers “She Believes in Me” (Kenny Rogers?), a surprisingly refreshing approach. Just enough of himself in there to make you appreciate it all over again. He duets with LeeAnne Rimes (isn’t everyone now? She’s the duet “it” girl) and they find a nice harmonic groove together. He gets romantic on “This is Your Song” and lays some nice tracks over himself that really fill it out, as simple as it is.

“Cross Country” — James Patterson… Let’s get this out of the way quickly. Pass. I was in need of some adventure reading to take my mind off of business while traveling, and thought for sure Mr. Patterson would not let me down. Wrong. The synopsis spelled intrigue and mystery — with no mention of societal grandstanding. But the book? Right from page one we’re knee deep in the horrendous violence of war-torn Nigeria. My thoughts of pleasurable escape turned into guilt and sorrow for not liking the book. Mr. Patterson has cloaked this mystery in humanitarian activism and set it in DC with a multitude of chapters in Africa. I kept wanting to toss it aside, but was internally torn with wondering whether or not that meant I didn’t care about the genocide and unspeakable crimes happening to those people across the globe, or simply did not like the book. It was incredibly perplexing. Doubling my frustration was the fact that I cared NOTHING about the central character, who somehow survived everything from gunshot wounds to pistol-whipping to starvation and beating in prison to a CIA kidnapping, all on minimal sleep and with nothing more than a broken nose. Oh, and he’s a detective AND a clinical psychologist. In the end, I finished the book and swore off James Patterson for a while.
“World War Z: An Oral History of the Zombie War” — Max Brooks… A wonderfully sane approach to an outrageous topic. This guy weaves “personal interviews” of WWZ survivors into a global account of catastophic proportions. Some professional reviewers have likened it to a modern day Welles’ “War of the Worlds” broadcast, and I’d have to agree. The realness completely overrides the absurdity of the fact that a Zombie virus has basically wiped out the world, and every country has been forced to deal with their survival separately. It’s an interesting political commentary on our unified response to a global disaster. Take a chance. Read it.
“The Road” — Cormac McCarthy… Since first diving into Mr. McCarthy’s voice with “Blood Meridian” (and yes, I had both my thesaurus and dictionary out the entire time), I fell in love with the guy. His “Border Trilogy” and multiple earlier works are all worth a read. “The Road”? It falls right in line, but surprised me in its hopelessness. It’s hopelessness was beautiful. How do you write that? Oddly, it too, follows a global disaster, and the changes in society and humanity, but focuses on a father and son, and their journey to stay human and reach someplace they really aren’t sure exists — but hope it does — to live in relative safety from the dangers of the new world. It’s heavy-hearted, but not heavy-handed. I admit I’m biased, and maybe I enjoyed it so much just because it was Mr. McCarthy’s next work, and I had been combing the bookstores in anticipation. But I still enjoyed it. And I’d definitely recommend it.

Hood (Stephen R. Lawhead): I’ve always been a fan of all things Robin Hood (except, of course, that horrible film with Kevin Costner and Mary Elizabeth Mastrantonio), and this falls into that category with a wonderful mix of historical fact and fiction. Check it out… and the sequel “Tuck,” is now available and on my reading list, as well.
The Gargoyle (Andrew Davidson): As earlier noted, this book grabbed me from the initial paragraphs and didn’t disappoint through to the end. The characters were well-developed, likeable, loveable, and missed when the story ended. I still think this might be my best read of the year.
The Likeness (Tana French): You remember that I often have difficulty diving into murder mysteries of the English/Irish ilk… This proved absolutely worth the investment. Well-told, and well-paced, its lead character narates through the voice of a murder victim (think Lovely Bones, but more action and less heavy tragedy). Give it a read.
The Miracle Life of Edgar Mint (Brady Udall): Okay, this one is just something else entirely. It initially caught my eye because the author had woven a Mormon foster family into the story. In my high school days, Native American (called “Lamanites” by the Mormons) students were always in our schools through Mormon foster family placements, so I was amused and interested that this author would have introduced such a piece of Mormon fabric into this book, and that it should play so prominently. But the rest of the book outshines even that piece of the story, and is wonderfully amusing, tragic, gritty and rewarding. Read it.









